The Architect-Contractor Smackdown
Using specifications and drawing notes to create an end-run around the contract
by Steven G. Shapiro*
During a typical design and construction project, the general contractor and architect work closely for the duration of a project, often without a direct contract, to legally define the scope of their relationship. In the absence of a contract, the parties often jockey to create greater rights to protect their own interest. Lately, it seems that the architecture community has expanded its rights to the detriment of the contractors.
“The Louvre is not in Paris. It’s in Abu Dhabi.”
The world, the architectural world in particular, mourns the loss of Walter Netsch, whose architectural Field Theory borrowed from quantum physics to describe the infinite number of variations that are possible from something as basic as the square. He joined Skidmore Owings & Merrill in 1947--where he thrived for 32 years--and was lead designer for the Air Force Academy Chapel, with its 17 angular spires soaring skyward. The building is the 1996 AIA Twenty-five Year Award recipient and the 51st selection in the
Tod Williams FAIA and Billie Tsien's
"Why would any seminary today want its building to look as if it were designed in the late 19th century?" This question, raised by Patrick Quinn, FAIA, in response to an AIArchitect
Finding diversity at an AIA national convention is not difficult, right? Start out with a few sessions on sustainability, check out the ongoing efforts of the Diversity and Inclusiveness Discussion Group in the Diversity Lounge, sprinkle in some sessions on nurturing emerging professionals, and take advantage of one of the many tours before you leave the city. But how many of these experiences celebrate and promote diversity within the profession? A number of events during the 2008 AIA Convention moved me on a more personal note.